I HOME I LINE AUDIO I TK AUDIO I TRITON AUDIO I NOHYPE AUDIO I MEDIA I CONTACT I TERMS & CONDITIONS I

NoHype Audio products:

  • Design: Our products are designed "In House" for studio and/or stage use. Years of experience in manufacturing help avoiding the pitfalls common in today's low cost market. Often innovative, our products are built to last, designed to offer the best possible performance while keeping today's typical budget limitations in mind.
  • Quality: We have established extensive QC throughout the manufacturing process. Each unit is partially assembled and individually tested in our Belgian workshop before final inspection and packing. Automated processes are extremely limited. We source from suppliers located in various parts of the world, based on our requirements.
  • Affordability: Clever design, purchasing and packaging yield attractive prices, however price concerns always come after high performance has been established and proven. We keep a short path between the supply chain and the end user often resulting in much lower end user prices than anticipated.
Thanks for keeping these important points in mind when ordering:

  • PLEASE NOTE: we can and will only ship to the address supplied by Paypal (when paying through PP) so please double check before paying through PP.
  • IMPORTANT EU VAT NOTE: Prices shown do NOT include VAT: from July 1st 2021, VAT depends on the DESTINATION country. As before, no VAT (EU sale tax) is due for deliveries located outside of the EU, or with a valid EU VAT # (contact us for VAT void purchases). Contact us if you need clarifications.
  • IMPORTANT BREXIT NOTE: we currently cannot process orders under 170 Euros of declared value going into the UK.
  • IMPORTANT: Paypal decided (March 2020) that fees would not be refunded when a payment is returned/refunded to the buyer. So make sure you will not have buyer remorse if you don't want to lose around 4% on your refund... we have no power over this and cannot pay you back the Paypal fee when refunding your payment. Thanks.
  • SHIPPPING & HANDLING (Exc. VAT, per order, not per item):
    • Belgium: 7,00 EUR
    • France/Germany/Holland/Luxembourg: 13,00 EUR
    • Rest of European Union: 20,00 EUR
    • UK via PARCELFORCE, YODEL or DPD: 30,00 EUR
    • UK via EMS/DHL: 50,00 EUR
    • USA, Canada, Switzerland: 20,00 EUR
    • USA via EMS/DHL: 50,00 EUR
    • Australia and Rest of the World: 60,00 EUR
Currently available NoHype Audio products:

  • NOHYPE AUDIO CRM-1 (Compact Ribbon Microphone):

    The CRM-1 is basically the mono version of the SRM-1 below. Released in February 2023. The new low profile shockmount is integral but can be removed for cleaning etc. As usual, ribbon motor QC, final assembly and testing are performed in our workshop in Belgium.
  • Specifications:
    • Frequency response: 30Hz to 13KHz @ +/- 3 dBs.
    • Polar pattern: Pure Symmetrical Figure-8 (nulls at 90 and 270 ) / with identical front and back.
    • Sensitivity: Typ. -54dB (0dB=1v/Pa) +/- 2 dB at 0 angle (front).
    • Output Impedance: 250 Ohms nominal (between Pin 2 & 3).
    • Max. SPL (1% THD @1000Hz): at least 135dB.
    • Shockmount is fitted with removable EU size metal stand thread adapter (default USA size without adapter).
    • Size: 140mm x 32mm (excluding shockmount).
    • Weight: 290g (excluding shockmount).
    • All final QC, assembly and testing is performed in our workshop.
  • Videos:
    • Video: Thanks THS Medien for the link: CRM1 on piano: Click here
    • Video: Thanks THS Medien for the link: SRM1 and CRM1 with lineaudio CM4s: Click here
    • Video: Another Ben Meech video: single SRM-1 as mains, CRM-1 pair for distant/room mics, "Far away": Click here
    • Video: Thanks Ben Meech again: single SRM-1 as mains, CRM-1 pair for distant/room mics, "Pick a life": Click here
    • Video: Thanks Ben Meech for the link: live recording, single CRM-1 hastily put on a mic stand: Click here

  • Triton Audio FetHead:
    • Price (shown excluding VAT):

    • CRM-1 (/ stock transformer): 190 EURO Exc. VAT. IN STOCK.
    • CRM-1 (/ stock transformer) + Triton Audio Fethead: 240 EURO Exc. VAT. IN STOCK.

    To order:

      Email us to order and let us know if you have a valid EU VAT #.

  • NOHYPE AUDIO SRM-1:

    The SRM-1 is a stereo ribbon microphone based again on LRM Series user comments and requests. Released in September 2019, it offers a linear response with a smooth top end, gently tapering off. The mic's response takes EQ well so proximity compensation and top end manipulation sound natural with most EQ's. The size and weight have been kept to a minimum to allow for easy, safe placement. The included shockmount screws on the mic for a firm, secure hold with good isolation from mic-stand transmitted noise. Each channel has a symmetrical Bi-directional/Figure-8 Polar Pattern with identical front & back responses. The ribbon motor is a proprietary design and the output transformer wound to our spec allowing the output impedance to be around 250 Ohms nominal (measured between pins 2 and 3). Signal/noise ratio is adequate for up to mid-distance work, as most mid to high end ribbons allow, or longer distance if the overall SPL is high enough. Typical setups would be drums Overheads, Room, main stereo pair in X/Y or M/S or section (amps, brass, strings) spot stereo pair. Sold with EU-made 5-meter Sommer/Neutrik splitter cable (5 pin to 2 x 3 pin) / extension cable, soft padded protection bag and shockount. As usual, ribbon motor QC, final assembly and testing are performed in our workshop in Belgium.
    NOTE: the current version has white dot inserts on each motor's front lobe (see photo). Should you prefer a version without those please Email us before ordering.
  • Specifications:
    • Typical frequency response ("Stock"):
    • Stereo Ribbon Microphone with fixed 90 angle between the motors axis.
    • Frequency response: 30Hz to 13KHz @ +/- 3 dBs.
    • Polar pattern: Pure Symmetrical Figure-8 (nulls at 90 and 270 ) / with identical front and back.
    • Sensitivity: Typ. -54dB (0dB=1v/Pa) +/- 2 dB at 0 angle (front).
    • Output Impedance: 250 Ohms nominal (between Pin 2 & 3).
    • Max. SPL (1% THD @1000Hz): at least 135dB.
    • Shockmount is fitted with removable EU size metal stand thread adapter (default USA size without adapter).
    • Y-cable / Extension cable made in the EU with original Neutrik connectors (1 x 5 pins to 2 x 3 pins), 5 meters long.
    • Size: 268mm x 32mm (excluding shockmount).
    • Weight: 495g (excluding shockmount).
    • All final QC, assembly and testing is performed in our workshop.
  • Reviews & samples:
  • Videos:
    • Video: Thanks THS Medien for the link: SRM1 and CRM1 with lineaudio CM4s: Click here
    • Video: Old Forest: single SRM-1 as main OH, Beta 91 on kick: Click here
    • Video: Another Ben Meech video: single SRM-1 as mains, CRM-1 pair for distant/room mics, "Far away": Click here
    • Video: Thanks Sebastian Hodlmoser: SRM-1 as drums OH: Click here
    • Video: Thanks Ben Meech again: single SRM-1 as mains, CRM-1 pair for distant/room mics, "Pick a Life": Click here
    • Video: Felix - RECORDING DRUMS WITH ONLY ONE MIC! SRM-1: Click here
    • Video: Mirandote - Eduardo Martin (Blaise Laflamme, Classical Guitar), SRM-1 + Line Audio CM4: Click here
    • Video: French kiss# 306 : "L'amour indifferent", SRM-1 as main stereo mic: Click here
    • Video: Jasmin Muller - Afterglow, thanks Ben Meech, SRM-1 for the basic voc/gtr track, Beyer M260 for overdubs: Click here
    • Video: Thanks Heikki J J rvi for the link: live recording, impressive sense of balance, on the fly! Mixed +/- 90% SRM-1 +10% DI.: Click here
    • Video: "Some wandering around and bumping into the Beatles" - Ewout Pierreux. NHA SRM-1: Click here
    • Video: Sebastian H dlmoser. NHA SRM-1 on Drums OH: Click here
    • Video: Ben & Kilya Burghof rehearsal March 31 2022, recorded via a single SRM-1 in the middle of the room (thanks Ben again for the link): Click here
    • Video: Bettina Maria Bauer - Live @U&I Music. NHA SRM-1, Live take: Click here
    • Video: Curled Like A Question Mark - MIchael Morrissey, U&IMUSIC. NHA SRM-1, Live take: Click here
    • Video: Ecuatoriana - Roque Carbajo Blaise Laflamme, Classical Guitar, NHA SRM-1 + Line Audio CM4's: Click here
    • Video: Rudiger Schiller - Ca danse, ca chante - Live @U&I Music, NHA SRM-1: Click here
    • Video: Taio Boumort - Tenessee blues (Bobby Charles) - Live @U&I Music, NHA SRM-1: Click here
    • Video: Olen K - Porcelain Dolls: Click here
    • Video: Olen K - To Bring You My Love (PJ Harvey cover): Click here
    • Video: Le Dust A Mond Trio, "Duffin' Around": Click here
    • Video: Ben Meech, "Love Break My Soul": Click here
    • Video: Ben Meech, "Grey" - Ben Meech & Kilya Vogel-Buira: Click here
    • Video: Ben Meech, "Father's Eyes": Click here
  • Triton Audio FetHead:
      Please check the Triton Audio Fethead Standard to turn our SRM-1 into an active ribbon mic with 20dB+ of extra super clean gain. Note: you will need 2 Fetehads as this is a stereo mic (2 channels).
    		•
    Price (shown excluding VAT):

    • SRM-1 (/ stock transformer): 462 EURO Exc. VAT. IN STOCK.
    • SRM-1 (/ stock transformer) + 2 x Triton Audio Fethead: 562 EURO Exc. VAT. IN STOCK.

    To order:

      Email us to order and let us know if you have a valid EU VAT #.

  • NOHYPE AUDIO LRM-V:

    The LRM-V is a ribbon microphone which follows the LRM-1 in terms of style but has been completely redesigned inside, based on years of user comments and requests. Released in August 2018, designed to offer a classic, vintage ribbon mic response with contemporary specifications. This is the mic to get if you want the pillowy, round, smooth sound of a vintage american ribbon. Pure symmetrical Bidirectionnal/Figure-8 Polar Pattern with identical front & back responses. Sold with soft padded protection bag. Ribbon tensionning, final assembly and testing performed in our workshop in Belgium.
  • Specifications:
    • Typical frequency response ("Stock"):
    • Large Ribbon Microphone: Long ribbon motor with large head basket.
    • Inspired by vintage ribbon models.
    • Frequency response: 30Hz to 11KHz @ +/- 3 dBs.
    • Polar pattern: Pure Figure-8 (nulls at 90 and 270 ) with identical front and back.
    • Sensitivity: Typ. -52dB (0dB=1v/Pa) +/- 2 dB at 0 angle (front).
    • Impedance: 250 Ohms nominal/leg (500 Ohms nominal between Pin 2 & 3).
    • Max. SPL (1% THD @1000Hz): 132dB.
    • Fitted with removable EU size metal stand thread adapter (default USA size without adapter).
    • Size: 190mm x 76mm (excluding Yoke)
    • Weight: 890g.
    • Packed Weight: 1400g.
    • Shipping Weight: 1800g.
    • Free stereo-matching when buying pairs or more, please inquire.
    • Ribbon tensionning, final assembly and testing in our workshop.
  • Differences with the (discontinued) LRM-1:
    • Completely redesigned inside while the body style has been retained per our customer's requests.
    • Yoke shock mount/absorber and internal ribbon motor shockmount.
    • New exclusive ribbon motor
    • New multi-layers grille.
    • Darker, rounder response, closer to the vintage US and UK made ribbons.
    • Improved finish.
    • Improved body and frame.
    • Improved packing.
  • Reviews & samples:
  • Videos:
    • Video: LRM-V on vocals - thanks Julius Reiner. Among Flowers - KUHNEN - JUHLS: Click here
    • Video: LRM-V on vocals and guitar - thanks Julius Reiner. Sirens - KUHNEN - JUHLS: Click here
    • Video: LRM-V on electric guitar - thanks Laurin Sturmer. Romie & Band - Heading South (Live Studio Session): Click here
    • Video: LRM-V on electric guitar - thanks Laurin Sturmer. Romie & Band - Roxanne (The Police / Live Studio Session): Click here
    • Video: LRM-V on vocals - thanks again Ben Meech. Wicked Games (cover) - Severine Zelaya - live at Hofgut Leo: Click here
    • Video: John The Revelator / Fabian Holland / LRM-V on Banjo + vocals: Click here
    • Video: MASSENET: Elegie (played on the G String!) | Edi Siljak, violin / LRM-V: Click here
    • Video: SARASATE: Playera, Op. 23 No. 1 (Spanish Dances), thanks Edi Siljak, LRM-V: Click here
    • Video: Irving Berlin/Jascha Heifetz: White Christmas, thanks Edi Siljak, LRM-V: Click here
    • Video: Wide Arches - Lake Scene (Live Acoustic Session @ Sellers and Newel), LRM-V on shared vocals: Click here
    • Video: Brian Donohoe: "Misty" by Errol Garner, a cappella tenor saxophone solo, U87 + LRM-V: Click here
    • Video: Surprise Chef - Remote Live Session on Worldwide FM - College of Knowledge Studios, Melbourne / stereo drums OH w/ LRM-Vs: Click here
    • Video: Fabian Holland published a quick ribbon mic themed video featuring the LRM-V: Click here
    • Video: Margaux Vranken / MGX INVITES: Episode #4 ALEXiE - Prise de court (Vranken/Moors): Click here
    • Video: Margaux Vranken / MGX INVITES: Episode #3 Aneta Nayan - A Light Within (Vranken/Nayan): Click here
    • Video: Margaux Vranken / MGX INVITES: Episode #2 Maryl ne Corro - Le Coeur L ger (Corro): Click here
    • Video: Mone, Live Studio Sessions serie, thanks Hypertone Studio: Click here
  • Triton Audio FetHead:
    • Price (shown excluding VAT):

    • LRM-V (/ stock transformer): 187,00 EURO Exc. VAT. IN STOCK.
    • LRM-V (/ stock transformer) + Triton Audio Fethead: 237,00 EURO Exc. VAT. IN STOCK.

    To order:

      Email us to order and let us know if you have a valid EU VAT #.

  • NOHYPE AUDIO LRM-2b:

    Light Ribbon Microphone. New version of the LRM-2, released in Nov. 2018. The LRM-2 was originally based on the LRM-1 but upgraded in several ways. The LRM-2b goes further with higher sensitivity (at the motor/before the transformer) and a symmetrical, pure Bidirectionnal/Figure-8 Polar Pattern while the overall tone has been retained - yet with an even flatter response. This is a great choice for Classical music or any track needing a flat but smooth response with a symetrical Fig-8 pattern. Sold with soft padded protection bag, also available with Lundahl output transfomer. Shockmount included. Ribbon tensionning, final assembly and testing performed in our workshop in Belgium. The current version of the LRM-2b has a new shockmount design with stronger hardware.
  • Specifications:
    • Typical frequency response LRM-2b ("Stock"):
    • Light Ribbon Microphone: Long ribbon motor in a relatively light and small one-piece body protected by a strong grille.
    • Integral and removable shockmount.
    • Response based on the vintage RCA 44BX with improved high frequency response; more linear than the LRM-1.
    • Frequency response: 30 to 18,000Hz +/- 3 dBs.
    • Polar pattern: Symmetrical pure Figure-8 (nulls at 90 and 270 ) polar response.
    • Sensitivity: -55dB (0dB=1v/Pa) +/- 1 dB at 0 angle (front).
    • Impedance: 250 Ohms nominal/leg (500 Ohms nominal between Pin 2 & 3).
    • Max. SPL (1% THD @1000Hz): 135dB.
    • Fitted with removable EU size metal stand thread adapter (default USA size without adapter).
    • Size: 175mm x 48mm (exc. Shockmount)
    • Weight: 580g.
    • Shipping/packed Weight: 1300g.
    • Available with our "stock" transformer or Lundahl transformer.
    • Free stereo-matching when buying pairs or more, please inquire.
    • Ribbon tensionning, final assembly and testing in our workshop.
    • Please typically allow one more working day for Lundahl option if not in stock.
  • Differences with the (discontinued) LRM-1:
    • Smaller size.
    • Lighter weight.
    • More solid, stable and less resonant one piece body.
    • Integral (but removable) shockmount.
    • Slightly different response, mainly flatter top end and more open low end.
  • Differences with the (discontinued) LRM-2:
    • Redesigned motor with higher output and symmetrical (front=back) response.
    • Redesigned, sturdier shockmount.
    • Reduced manufacturing tolerances.
    • Flatter frequency response.
  • Lundahl or stock?
      The Lundahl transformer option is typically chosen for more critical applications like classical recording. For Pop, Rock, Blues, Jazz... the stock transfo is usually preferred for its added midrange colour.
  • Reviews:
  • Audio:
    • Audio sample, Soundnerdz website: comparison, NoHype LRM-2b pair vs. AEA R888 MKII, Click here
    • Audio: 2 LRM-2bs in a Blumlein configuration. No additional reverb, bit of eq and compression, Sax and Bass / Hannes Kumke (re. eng.): Click here for samples.
    • Audio: Stereo Blumlein / Lundahl, Apunte B tico (G. Gombau), staff: Daniel Berlanga (rec. eng.), Jos Antonio Domen (Harp). Click here for 64MB AIFF file.
  • Videos:
    • Video: Thanks Dyne Engine Studio for the link!: Lrrm-2b (lundhal) on acoustic guitar: Click here
    • Video: Thanks Remi Bourcereau for the link: Lrrm-2b (lundhal) on piano (Locomotiv audio res,light HPF and reverb): Click here
    • Video: Thanks Dyne Engine Studio for the link (NHA LRM-2b / piano, 75% mix with Neumann KM184 and Pearlman TM1 room mic): Click here
    • Video: Thanks Kasper Vandeputte for the link (NHA LRM-2b stock / vocals, NH1 LRM-2 Lundahl /cajon, Line Audio CM4 / piano): Click here
    • Video: LRM-2b pair on piano, shootout/comparison, Thanks Moritz Maier: Click here
    • Video: "Chapeau la Mer - La Manivelle Theatre - Creation musique", Thanks J-B Hoste, LRM-2b on Cello: Click here
    • Video: "Concert for Swing Paradise at Hot Club Gent, part 1 & 2, Thanks Tom Callens, LRM-2b main stereo pair, very little processing: Click here
    • Video: "What's The BEST Way To Record Guitar And Vocals At Home?" Live stream, Fabian Holland, LRM-2b: Click here
    • Video: Diego Lorenzini || Hukot Session #1, LRM-2b on vocal: Click here
    • Video: Proberaum Records, microphone comparison on piano: Click here
    • Video: Thanks Mateusz Papiernik / LRM-2b pair (w/stereo kit) on piano: Click here
    • Video: Thanks Martin Fuss: AFFARE DREYFUSS // God Rest Ye Merry Gentlemen // BEARDY MOUNTAIN STUDIO SESSION // [4K] / 2 mono LRM-2b's on Saxes: Click here
    • Video: LRM-2b on Trombone / Bass Clarinet, BIMHUIS TV Presents : ZIV TAUBENFELD S FULL SUN, thanks Ron Ruiten: Click here
    • Video: LRM-2b /Lundahl mics in use, thanks Alexandre Flory / https://www.nomad-record.com/: Click here
    • Video: Thanks Martin Fuss: AFFARE DREYFUSS // Julian (for Cannonball Adderley) // BEARDY MOUNTAIN STUDIO SESSION // [4K] / 2 mono LRM-2b's on Saxes: Click here
    • Video: Thanks Martin Fuss: AFFARE DREYFUSS // Viennese Anthem // BEARDY MOUNTAIN STUDIO SESSION // [4K] / 2 mono LRM-2b's on Saxes: Click here
    • Video: Thanks Mateusz Papiernik / LRM-2b pair on piano: Click here
    • Video: Thanks Tom Callens for this Live recording: Click here
    • Video: LRM-2b review video by Elias Walch / All About Audio: Click here
    • Video: "Waiting game" by Francois De Ribaupierre on LRM-2b: Click here
    • Video: "A Foggy Day" by Francois De Ribaupierre on LRM-2b: Click here
    • Video: "Ringlefinch: "Drink Alone" (Lockdown Sessions)", Thanks Andy Logan, LRM-2 on Banjo: Click here
    • Video: "Sometimes" (Ben & Kilya) on LRM-2 / Lundahl: Click here
    • Video: "Summer has died" - Greenwood on LRM-2 / Lundahl: Click here
    • Video: Together - Ben Meech - NoHype Audio LRM-2 / Lundahl: Click here
      Also explore this playlist for more LRM-2 videos: Click here
    • Video: Drum overhead mic comparison - NoHype Audio LRM-2b & Vanguard Audio V13, Youtube audio (video), LRM-2b's as a main pair, thanks Aidan Lowe for the vid: Click here
    • Video: Max Bruch Kol Nidrei Cello Ensemble, Youtube audio (video), LRM-2b's as a main pair, thanks Sergio Trujillo (Austria) for the vid: Click here
    • Video: Blounge: Betty Wagan, Save Before Quit (Live), Youtube video, LRM-2b on F. vocal, thanks Luca Bi (http://lucabiaudio.com/) for the vid: Click here
    • Video: Zervos Guitars, FB video, NoHype LRM2 on guitar: Click here
    • Video: Synchromatica - To End (Live), FB video, NoHype LRM2 on guitar: (left channel) + Sennheiser e609 (right channel): Click here
    • Video: Planetshakers - Turn It Up - Drum cover, FB video, LucasDrums produced @ rurtonstudios, Overheads: 2x NoHype Audio LRM - 2 Lundhal: Click here
    • Video: Quick Tele copy demo, FB video by "The Cool, the Rare and the Quirky", NoHype Audio LRM-2 ribbon mic through a Black Lion Audio Auteur MKII pre: Click here
    • Video: Dead Leaf - What Comes After - One Mic Experience, FB video, Live take, just on Blumlein pair of No Hype Audio LRM-2B: Click here
    • Video: Prince - Purple Rain (Kisses & Cake - Acoustic Cover); actual recording: Guit. / LRM2 Blumlein, Violin / LRM2b, thanks Tonzoo studio, Austria: Click here
    • Video: Violin overhead, FB video, thanks Alexandre Tripodi: Click here
    • Video: drums overheads in a bigband recording / Hannes Kumke (re. eng.): Click here
    • Video: Rachmaninov - tude-tableau Opus 33 No. 9 - Todd Yaniw, LRM-2 pair, spaced around 35 cm, parallel pointing at the source (off camera): Click here
    • Video: Jazz-Schmiede D sseldorf, LRM-2 on guitar amp mixed with a (dangling?) Sennheiser 421. Thanks Lars Wallat: Click here
    • Video: Jazz-Schmiede D sseldorf, LRM-2 on guitar amp mixed with a Sennheiser 441. Thanks Lars Wallat: Click here
    • Video: Connie Chiu, David Newton - Skylark - LRM-2 pair on piano. Thanks Greg Dowling: Click here
    • Video: C dric Verglas, NoHype Audio LRM-2 on heavy electric guitar (demo): Click here
    • Video: Nils Wogram Root 70 Piazza Live at Jazz-Schmiede D sseldorf - ADK Odin (Alto Sax.) & NoHype Audio LRM-2 (Tromb.). Thanks Lars Wallat: Click here
    • Video: Z-Recordings testing the NoHype Audio LRM 2 (Lundahl transformer, Mono track, the other LRM-2 is a standard model not used for the recording) - Thanks Yiannis Zoumis! Click here
    • Video: Veronika Morscher Quintett - Broken Home - LRM-2/L on Tenor Sax - Live at Jazz-Schmiede D sseldorf - Thanks Lars Wallat! Click here
    • Video: MAKKRO - THE ONE by Thomas Sauerborn - LRM-2/L on Trombone - Live at Jazz-Schmiede D sseldorf - Thanks Lars Wallat! Click here
    • Video: Caspar van Meel Quintet - Cataclysm - LRM-2/L on Trombone (AEA N8 on Sax) - Live at Jazz-Schmiede D sseldorf - Thanks Lars Wallat! Click here
    • Video: FR - The Moon -LRM-2/L on Drums - Live at Jazz-Schmiede D sseldorf - Thanks Lars Wallat! Click here
    • Video: Anne Hartkamp Quartet - Scattered Minds - LRM-2/L on Drums - Live at Jazz-Schmiede D sseldorf - Thanks Lars Wallat! Click here
    • Video: Raalte - Horv th B lint . LRM-2 pair (stock transformer). Thanks Adam Horvath for the video! Click here
    • Video: V mp r (P terfy Bori & Love Band) - Horv th B lint . LRM-2 pair (stock transformer). Thanks Adam Horvath for the video! Click here
    • Video: Redbeard Studios Tests - Mic Shootout on Heavy Guitars . Thanks RedBeard Studios in Germany for this shootout video! Click here
    • Video: Bansuri flute and ribbon microphones + a LDC. LRM-1, LRM-2, M-160 and U-87. Thanks Sasha Zhuravlev for this video. Click here
    • Video: LRM-2 / Lundahl version ribbon in a video of a recording (Alfonsina y el mar). Thanks Daniel Berlanga for this video. Katjazz Band performing, our LRM-2 on sax and Kick. Click here
    • Video: LRM-2 / Lundahl version ribbon in a video of a recording (La Vie En Rose). Thanks Daniel Berlanga for this video. Katjazz Band performing, our LRM-2 on sax and Kick. Click here
    • Video: LRM-2 / Lundahl version ribbon in a video of a recording (Can't buy me love). Thanks Daniel Berlanga for this video. Katjazz Band performing, our LRM-2 on sax and Kick. Click here
    • Video: LRM-2 / standard version ribbon in a mic shootout . Thanks Matthias Bader in Germany for this video!! Click here
    • Video: LRM-2 / Lundahl ribbons picking up Violin and Viola; Promo OSCE - Laura Rodr guez - Arturo Mill n - Sinfon a concertante (Mozart) . Thanks Daniel Berlanga for the link. Click here
  • Triton Audio FetHead:
    • Price (shown excluding VAT):

    • LRM-2b (/ stock transformer): 209,00 EURO Exc. VAT. IN STOCK.
    • LRM-2b (/ stock transformer) + Triton Audio Fethead: 259,00 EURO Exc. VAT. IN STOCK.
    • LRM-2b/L (/ Lundahl transformer): 319,00 EURO Exc. VAT. IN STOCK.
    • LRM-2b/L (/ Lundahl transformer) + Triton Audio Fethead: 369,00 EURO Exc. VAT. IN STOCK.

    To order:

      Email us to order and let us know if you have a valid EU VAT #.

  • NOHYPE AUDIO STEREO ACCESSORIES:

    Both items are sold separately. Released in July 2019, this stereo coupler is used to clamp together / secure two LRM-2(b) microphones. Sold separately, the stereo bar provides good, stable support and proper spacing for a pair of LRM-2b's.
  • Overview:
    • The coupler is used to clamp together / secure two LRM-2(b) microphones.
    • The bar takes the LRM-2b shockmounts and supports them, mounted on any sturdy US or EU thread mic stand. Make sure your mic stand is solid and can take the weight. Sandbags are recommended.
    • Both items are sold separately. The second image shows the coupler mating two LRM-2 mics, mounted to the stereo bar.
  • Use:
    • Make sure that the clasps are open.
    • Pull/stretch the coupler wide open.
    • Install the coupler between both LRM-2(b) tops, close the clasps.
    • Vertical mounting will be quite stable but horizontal setups may still lead to some droop if left hanging over long periods so please check during breaks if the mics aren't slowly slipping.
    • The bar is traightforward in assembly and use. It can be used vertically or horizontally.
  • Specifications:
    • All metal construction
    • Padding to avoid damage to the mic body
    • Coupler weight: 35g
  • Caution:
    • The coupler is not designed to hold the mics, it's meant to keep both mics in line, firmly attached to one another to allow precise, stable positionning in coincident setups. Make sure that each mic is properly mounted on a solid, firm base: either an individual mic stand, or its own point on a stereo bar.
    • The coupler is designed for the LRM-2(b), or similar weight microphones. Heavier microphones will possibly tilt the mic stand and most likely crash down below! Most mounting bars can take the weight but your mic stand probably won't. Always make sure your mic stand can handle the weight.
    • Sandbags on the Tripod feet is a good idea as is a counterweight on the boom (ie. the counterweigth boom from K&M). The bar itself is no guarantee that the assembly will not tip over a mic stand: make sure the mic stand is firm and stable.
    • Price (shown excluding VAT):

    • Stereo coupler: 36 EURO Exc. VAT. IN STOCK.
    • Stereo bar: 63 EURO Exc. VAT. IN STOCK.

    To order:

      Email us to order and let us know if you have a valid EU VAT #.

    NOHYPE AUDIO LRM-1:

    DISCONTINUED - INFO BELOW FOR REFERENCE ONLY.

    Large Ribbon Microphone. Original version released in 2011, followed by two main revisions. Designed to offer a classic, vintage ribbon mic response with contemporary specifications. Pure Bidirectionnal/Figure-8 Polar Pattern. Sold with soft padded protection bag, also available with Lundahl output transfomer. Final assemby and testing performed in our workshop in Belgium. Last version, post January 2016: upgraded internal shockmounting. Discontinued in May 2017.
  • Specifications:
    • Typical frequency response ("Stock"):
    • Large Ribbon Microphone: Long ribbon motor with large head basket.
    • Response based on the vintage RCA 44BX with improved high frequency response.
    • Frequency response: 30 to 18,000Hz +/- 3 dBs.
    • Polar pattern: Pure Figure-8 (nulls at 90 and 270 ) with slightly higher sensitivity from the front.
    • Sensitivity: -57dB (0dB=1v/Pa) +/- 1 dB at 0 angle (front).
    • Impedance: 250 Ohms nominal/leg.
    • Max. SPL (1% THD @1000Hz): 137dB.
    • Fitted with removable EU size metal stand thread adapter (default USA size without adapter).
    • Size: 165mm x 76mm (excluding Yoke)
    • Weight: 810g.
    • Shipping/packed Weight: 1800g.
    • Available with stock transformer or Lundahl transformer.
    • Free matching when buying pairs or more, please inquire.
    • Final assembly and testing in our workshop.
    • Typical frequency response with stock transformer shown.
    • Please typically allow one more working day for Lundahl option if not in stock.
  • Lundahl or stock?
      The Lundahl transformer option is typically chosen for more critical applications like classical recording. For Pop, Rock, Blues, Jazz... the stock transfo is usually preferred for its added midrange colour.
  • Audio samples:
  • Videos:
  • Triton Audio FetHead:

      • Price:
      • With stock transformer: DISCONTINUED.
      • With Lundahl transformer: DISCONTINUED.

    Notes:

      On the frequency curves shown:

      We prefer to show 1/6th Octave curves in 1 dB/line resolution rather than 1 Octave, smoothed curves at lower resolution, as they show more information. These are not perfectly accurate curves but better, more telling curves will soon be published. Please keep it in mind when comparing with other mics data.